Standing There

"Lazy Sunset" by Wes Aldridge

I guess there must be some kind of feeling that comes over one's person when watching a sky that has the drama of a wonderful sunset. I think I just want to take a picture.

Slumbersome

"Green Monster" by Wes Aldridge

There was no room for a lover, but his bedtime story laid beside him all night long and sang a lullaby to soothe his aching head. The whispers of empty bottles clanging like he had never heard before.

Lurking At My Door

"Green Monster" by Wes Aldridge

This is shot of a scary monster that was lurking at my door. The face will terrify you. Trust me.

Helping Hand

"B.McCord" by Wes Aldridge

So Brian here is one of our staff photogs. He unfortunately tore his shoulder out of socket a few weeks back and has been out of commission on the photo front since his corrective surgery. He was shooting an assignment for Tennessee Home & Farm magazine today and needed some help holding lights and hauling/moving equipment around because his arm is not 100% again as of yet. So I needed to give a brother a helping hand on this story about a guy that restores old cemeteries. We were testing light when I took this shot of him. The reflection you see of him is in a rain puddle that gathered on the top of one of the grave monuments that the guy had recently restored. We both ended up shooting some incredible shots for this feature because Brian is defintely not a Bag de la and decided us working together was much better than one person hogging the photo spotlight. So, here he is. I think he had been itching to make the blog anyway for a while. Today, it was natural for him to get there.

Even the Trees

"Dark Tree" by Wes Aldridge

When winter is approaching, even the trees turn dark and cold. It is that time now. Nature is shifting, changing, hiding itself. The shadow of this tree is testament to that.

On Assignment; El Paso, Texas-Day Seven

"Buffalo Soldier" by Wes Aldridge

I stopped to eat a traditional Mexican lunch in an absolute dive-bar style restaurant today... completely authentic in every way. The food was incredible and I absolutely gouged myself on a hearty plateful of tamales, enchiladas, taquitos, rice and beans, and great chips and salsa.

After the meal, I walked outside to the rental car. I had parked next to a cemetery, so of course I wanted to go exploring. It was rundown and old, and very interesting. I walked around a bit and finally I saw this sign. "BUFFALO SOLDIER." I don't know what it means or why it was there, but here is the shot.

And now, my assignments in El Paso are finished. Back in Nashville after a nice flight delay and hellish weather during the flight. I liked El Paso, but seven days was very much enough.

On Assignment; El Paso, Texas-Day Six

"Crack Donalds: The A-Bomb" by Wes Aldridge

I was driving around as the sun was setting, trying frantically to get a shot that the client wanted for the magazine. Well, I didn't get it because of circumstances beyond my control. It is what it is.

I did find a nice scenic perch that allowed me to look out over the eastern side of El Paso. There were lights everywhere, a very interesting site. I wanted to take a shot, but a plain and normal shot just seemed too dry. And then... there it was.

Amid all the blinking, sparkling and glittering lights of the city, I see the Golden Arches. I had this crazy idea about how Crack Donalds was somehow the Anti-Christ of Western civilization, akin to a bomb exploding inside those of us that choose to consume its foul, but delightfully greasy, filth.

So, BOOM! Its pretty tiny, but you can see the Arches going off like an Atom Bomb.

On Assignment; El Paso, Texas-Day Five

Today I finished the non-appointment exterior photography for my El Paso assignment. I found myself on the eastern outskirts of the city. Someone had mentioned an old mission that was in the neighboring city, Socorro. By pure luck, I saw a sign that said "Texas Mission" with a big white arrow on a blue sign pointing ahead of me. I bought the ticket and took the ride. I hunted for the mission and found it. It was serene and beautiful, worthy of a couple of shots.


"Open Door Welcome" by Wes Aldridge


"Mother and Son" by Wes Aldridge


"View to Heaven" by Wes Aldridge

On Assignment; El Paso, Texas-Day Four

"Another TD RUn" by Wes Aldridge

Tonight I shot the University of Texas El Paso Miners football game against the Texas Southern Tigers. The game was an entire blowout, Miners taking their winning season to 8-1 with a 45-0 shutout, knocking the Tigers further down in the rankings to 1-8. The game was overall pretty boring. UTEP just trounced the Tigers all over the field. So, I tried getting creative with my shot. I slowed down my shutter speed to around 1/30th of a second and panned with the action as a UTEP player caught a 30-yard pass and tried to keep his balance.

On Assignment: El Paso, Texas-Day Three

"Space to Ponder" by Wes Aldridge

Today was long. I spent a good bit of the day in Juarez, Mexico. It was an emotional time for me. What I saw opened my eyes to the reality of poverty. Juarez could only be described by me as a slum. I had never witnessed anything like it before. The houses were tiny shacks, thrown together with anything you could think of. The cars were circa 1987, rundown and on the last leg. The people had grief and defeat written across their sun-beaten faces. There were so many things to see... and I wasn't able to take one photograph of the massive tragic reality that surrounded me. I was with a translator and she sped us around to the locations that I had to get photographs of, never stopping in the thick of it all.

I must return there and document the things I see through photography.

This is a self portrait I did while I was shooting close to sundown in the desert. I was enjoying the beautiful landscape and thinking a lot about the things I saw today. I figured I wanted to make this a lasting memory for me. I sat the camera down on some rocks and got the self-timer going. The shot actually turned out in focus and with a pretty nice and even exposure. With sunlight like that, its pretty hard to go wrong.

"Quelli che passa prima che ci rimarremo nella memoria."

On Assignment: El Paso, Texas-Day Two

"Aquatic Grace" by Wes Aldridge

This is a shot from the El Paso zoo. I wanted to capture the aquatic grace of the sea lions. Think I got it.

On Assignment: El Paso, Texas-Day One

"Wild Lights" by Wes Aldridge

I am in El Paso, Texas, right now. A stones throw away from Juarez, Mexico, and right up the road from New Mexico. I thought I would be excited about this one. Now that I am here, I certainly am not. I can't exactly put my finger on it, but I am not feeling El Paso. I have only been here for a day so far, maybe I will give it a little more time before I make a judgement on it.

El Paso is massive. I drove around for hours tonight, trying to get a feel for the area and how to navigate it. The map of the area is basically useless because it is about 3-feet wide and the roads are so small a magnifying glass would help greatly in reading it. Too bad I can't hold a magnifying glass while I am driving. The city is pretty compacted, everything seemingly built tightly around or on top of each other.

I had envisioned vast desert landscapes with cactus growing and tumbleweeds bouncing by. That isn't the case thus far. All those landscapes are interrupted by sprawling city buildings and strip malls. I hope I can get some time to find locations that will make for nice scenic shots.

Don't know if I am tired or worn down or just getting burned out, but my last trip to Indy and this one now, just haven't seemed right for some reason. I wonder what that means to me?

Well I am pretty undecided about this one: Is it really cool or just garbage? Ah, who cares. I think this shot is an illustration of my frustration today. It was made with a 30 second exposure at f/22 with an ISO rating of 100. I threw on the 16-35mm wide angle lens and waved, panned and zoomed the camera during the exposure.

Mixing the Mood

"The Berries" by Wes Aldridge

I like how this one is mixing all the different visual elements.

Five O'Clock's Dark

"November Moon" by Wes Aldridge

I was leaving work this afternoon and I had an overwhelming urge inside me to shoot some photos. I had been planning my next two weeks' shoots in El Paso, Texas, and Huntsville, Alabama, so little actual photography was happening today. I need that stuff every day, can't live without hitting the shutter button a couple times a day.

I looked up and the sunset had all but faded away. I noticed the moon... and it was 5 p.m. That is soooo wrong. I mean, winter time is pretty miserable for photographers. With the sunrising at 7 or 8 a.m. and setting between 4 and 5 p.m., that doesn't give much time to get all the many, many assignments photographed that we have. It is pretty frustrating, and I wanted to try and portray that frustration in a photo.

Here we have the 5 p.m. November moon shrouded in empty tree limbs. Think that one shows a little bit of photo reality right now... and it will only get worse before better times roll around in Spring.

This one was shot with my 70-200mm telephoto lens on a tripod at ISO 100 with an extremely long exposure at 25 seconds at f/32. I was pretty impressed at how much the leaves were recognizable in the foreground because I was focused in on a celestial body pretty far away. It even looks as if the moonlight is illuminating the leaves, but that was really me cheating a bit. The leaves were lit by a street lamp overhead, but it sure looks like the moon is doing it.

I like this one, I do. Consider it a clever little photo trick!

Popping In The Sun

"Kettle Corn" by Wes Aldridge

I shot an assignment of a craft show at the Williamson County Agro Expo today. I also got this shot of a girl making a huge pot of kettle corn.

Hot LIghts On Church

"The Hustler" by Wes Aldridge

Well, this is sort of the shot I was trying to get the other night when I witnessed the man get run over by the car. I thought about the irony in the location of the porno store: Its address is on Church Street in Nashville. So, I think that's funny. I wish I could have gotten to this shot about 30 minutes earlier. It would have had a cooler sky, but such is life. It is done now.

Window View

"The Van Gogh Sky" by Wes Aldridge

I was leaving work today and saw the beautiful sunset. The only problem was, I didn't see anything around to shoot with it. I drove by a building and saw the reflection in the windows. There we go. Looks almost like a Van Gogh painting.

Close Your Eyes, Then The Ugly Things Will Go Away

"Conveniently Blind Eye" by Wes Aldridge

Well, this shot has nothing to do with my story I have to tell. But, I couldn't bring myself to the point of taking a photo of it.

I was driving down Church Street, en route to the HUSLTER Hollywood store to shoot some of the neons on the building. About five cars in front of me, I see taillights and slight swerving. The car hit a pedestrian, a dirty homeless man. He bounced to the street and the car didn't even stop to see how he was. This was during rushour. Each car in front of me passed right by the man, who was lying there motionless and bleeding on the sidewalk. It blew my mind. What a bunch of fucking soul-less assholes. I mean, I do some pretty ruff things, but give me a fucking break... this guy just got smacked by a car and they didn't even stop to see if he was alive or not. They didn't stop because he was homeless.

I pulled up to him and slammed into park with my hazard lights flashing. I literally pulled this man out of the street to avoid being hit by any other vehicles. Right as I almost had him on the sidewalk, a lady wearing a nurse's uniform ran up to me and grabbed his legs and helped me. Then, another nurse stopped by. And yet, within another minute, one more nurse showed up. The scene of the accident was only a few blocks from Baptist Hospital, so that explains that. I called 9-1-1 and paramedics, fire truck and police officer all arrived within 10 minutes of the accident. They took care of the homeless, dirty man and rushed him to the ER.

The homeless, dirty man's name was Andrew. I took the time to find that out because I cared to. Tonight, with all the thousands of people in Nashville, Andrew needed only one to stop and help him live. I am proud to say, that was me. And for all of those people that watched and drove on... fuck you, you worthloss dogshit bastards. Recognize the value of human life, no matter how much better you THINK you are than someone else who is less fortunate.

Hunger and Decay

"The Human Form" by Wes Aldridge

I think the shadows on this one give it great depth. You see what seems to be a thinning decay and are still left to wonder who and what it is. The human form is a mysterious thing.

Precious Anne

"Bestrafe Mich" by Wes Aldridge

There is something beautiful about her. You could see it in her eyes, even as crimson tears flowed down her cheeks. She made punishment seem pleasant. Her face told the stories of years of confusion and she finally was able to clear her mind tonight, to make it all new again. A moment of her simple purity is worth more than a lifetime of my lies. Peace danced around and delicately placed an olive branch on her bare shoulder.

When the Art became as close to perfect completion as we felt possible, we needed a change of scenery. Her cold steel blue convertible Corvette was the key to immediate happiness. She made the engine roar in 3rd as the frigid night air screamed through my hair. She tore around the corner and I looked over to see the moonbeam sparkle a glare from the corner of her right eye, and she smiled. After what seemed like only minutes, we were in the countryside surrounded by pine trees and became a moving part of the rolling hills. The high grass whipped hard as we flew down the two laner, complete with broken yellow line and absent of lamps. It seemed like we were flying by faster than the night, but the needle only read 45. We knew we were free and as long as the tank didn't go dry, we would stay that way. So we drove on, and on, listening to the sounds of night silence that filled the air.

She leaned closer to me and asked in a whisper, "Can you hear it?"

"What?"

"The stillness... the calm," she replied. "Can you hear Fate's call?"

"Of course. Its been our ear candy all night, right?"

"Then listen closely," she said, as I heard her finger nails click against the switch for the headlights... and then there was darkness. "Lets let the moon show us the way for a while," she said, giggling as she steered with her knees so she could light her Marlboro. I leaned in again and she sparked mine as well.

It may seem insane, but it was perfect for our moment of Fate, right then, right there. I didn't know her name two hours before, and will probably never see her again after this ride. I told her to keep her foot on the gas and we will think about the rest of the world some time later.

The Vette roared like a monster, again, and we were streamlined lost somewhere fading between the night air and a dream.

Some things are just never as they seem, hehe.